Τρίτη 16 Ιουλίου 2013

Dragons :50 Classified Dragons PART3


Scultone.
Scultone:
A sort of dragon basilisk in Sardinia, Italy. The Scultone lived in bushlands and was immortal. It was known to have the power to kill human beings with its gaze. It was said the powerful flight of the scultone had the power to open the 'Crack of Golgo' a sinkhole to be found on a natural plateau near the country church of San Pietro, in Supramonte Baunei. It is considered the deepest chasm in Europe. To get rid of the scultone, the people called on Peter the Apostle, who despatched the dragon with ease. Since the gaze of scultone had the power to kill, Peter made the dragon look into a mirror and upon seeing it's own reflection, the scultone was neutralised.



Zomok
Zomok:

The Hungarian zomok is a great dragon snake living in a swamp, which regularly kills pigs or sheep. A zomok can fly high up to catch it's prey like birds or big insects even other small dragons and on rare occasions (or if they are fully grown) will prey on creatures as big as horses.

When provoked, it will scream loudly or kill anything that comes to close to it or it's young. The can also spit seeds which inbed themselves in other organisms and take it over like a parasite.



 In a hut in an Austrian village lived a very beautiful maiden, who was vain and forever daydreaming. She spent hours and hours combing her long flowing hair by a spring, and there was nothing she loved more than to admire her beautiful reflection in the limpid water of the pool. In vain her mother and grandmother warned her, "It is dangerous to comb your hair by the spring. Be careful, because if a hair falls and ruffles the surface of the water, the spirit of the spring will bewitch you."



Cuelebre Dragon

"Old wives tales," cried the girl, "there are no spirits in the fountain." But the girl was very wrong. In the pool lived a very powerful spirit, one of those nymphs of the streams and mountains which abound in the Asturian mythology. The spirit watched angrily as the girl spent the whole day combing her hair, never helping to spin the wool or knead the dough. She had not been able to do a thing about it, as the girl did not ruffle the water of the pool, but patiently the nymph waited for her chance.
Then one day, one of the girl's golden hairs fell into the water and the nymph, dressed in a cloak of green water, rose angrily out of the pool.
"Didn't your mother warn you not to ruffle the water?" she asked, in a very quiet voice.
"A hair as beautiful as this does not ruffle the water," replied the proud maiden.
"I am going to bewitch you to punish you for your pride," the spirit said icily. Barefoot, her long golden hair adorned with pearls and a crown made from the reflection of the moon, she alighted on the grass next to the pool. Frowning, she declared, "I am turning you into a cuelebre. You will only turn back into a maiden if you meet a knight who is so brave that he is not afraid of you and has a heart so pure that he finds you beautiful.
At once the girl's body grew to an enormous size and became covered with coloured scales. her golden hair turned into crests and two wings sprouted from her shoulders. With a howl of despair, the cuelebre slunk off weeping, and hid in a cave by the sea.
As all the youths who set eyes on the cuelebre are afraid, the proud girl who was bewitched by the spirit still lives in her little cave on the sea shore, waiting for the knight who will find her beautiful, so that she can become a maiden once more.


Albanian stamp issue featuring Dragua
Dragua:
The Albanian dragon 'Dragua' as seen in Albanian mythology. The Dragua have four legs and two bat wings. They have a single horn in their head and they have big ears. They live in the forests and cannot be seen unless they want to be. A Dragua can live up to 1000 years and cannot be killed by humans. After the Ottoman invasion, the Dragua became protectors of the Albanian highlanders.

Dragons : 50 Classified Dragons PART2

Typhon or Typhoeus, the giant | Chalcidian black figure hydria C6th B.C. | Antikensammlungen, Munich

TYPHOEUS (or Typhon) was a monstrous immortal storm-giant who was defeated and imprisoned by Zeus in the pit of Tartaros. He was the source of devastating storm winds which issued forth from that dark nether realm.
Later poets described him as a volcanic-daimon, trapped beneath the body of Mount Aitna in Sicily. In this guise he was closely identified with the Gigante Enkelados.
Typhoeus was so huge that his head was said to brush the stars. He appeared man-shaped down to the thighs, with two coiled vipers in place of legs. Attached to his hands in place of fingers were a hundred serpent heads, fifty per hand. He was winged, with dirty matted hair and beard, pointed ears, and eyes flashing fire. According to some he had two hundred hands each with fifty serpents for fingers and a hundred heads, one in human form with the rest being heads of bulls, boars, serpents, lions and leopards. As a volcano-daimon, Typhoeus hurled red-hot rocks at the sky and storms of fire boiled from his mouth.



Jörmungandr


Jormungandr AKA The Midgard Serpent
Jormungandr-2
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Jörmungandr (sometimes called the Midgard serpent or snake) is a giant beast in Norse Mythology. Jörmungandr is the middle child of Loki and the giantess Angrboða. It is said Jörmungandr will be killed by Thor at Ragnarok , but Thor will only walk nine paces before dying himself, of the serpent's poisonous venom.

Loki's TormentorEdit

Loki was punished by the gods as a result of his betrayal; he was placed in the deepest depths of Hel, with Jormungandr dripping poison in his face. He was, however, allowed a respite. His wife stood next to him, and caught the drops of poison in a bowl before they could strike his face. Periodically, however, she would have to empty the bowl over his face, and he would writhe in agony, creating earthquakes. So was Jormungandr caught, stuck to a rock in the deepest pit in Hel, torturing Loki forever.

Lifting the Cat

In one adventure, Thor encounters Jörmungandr in the form of a colossal cat, disguised by the giant king Útgarða-Loki's illusionary magic. As one of the challenges set by Útgarða-Loki, Thor must lift the cat, and though he is unable to lift such a monstrous creature as the Midgard snake, he manages to lift it far enough that it lets go of the ground with one of its four feet. When Útgarða-Loki later reveals he deceived him it seemed like an incredible heroic feat.

The Fishing Trip

Long ago, Thor decided to catch Jormungandr, and kill him. This would prove difficult as the Midgard Serpent reached almost around the whole world and lay in the deepest depth of the ocean. But Thor did not despair. He took his trusty hammer and went to the giant Hymir, who went fishing. Hymir was friendly, and let Thor sleep in his house, and said he could go fishing with him the next morning. The next morning, Thor, who had to provide his own bait, went to Hymir's cattle pen, and took the largest ox's head with him to use as bait. He got into the boat with Hymir, and started rowing. Soon they had reached where Hymir usually went fishing, and wanted to stop, but Thor rowed on. "This is enough!' the giant soon said. "We may even chance upon the Midgard Serpent here, and we will go no further.' Thor threw out his unbreakable line, and the ox's head sunk to the bottom, right in front of the Serpent, who greedily devoured it whole. Immediately it pulled so hard on the line that Thor broke his knuckles upon the edge of the boat, and got very angry. He pulled up the Mudgard serpent, thrashing and well, from the bottom of the sea. He had almost reached the surface, and Thor was readying his hammer to strike it, when the scared Hymir cut the line. The serpent sank back to the bottom of the sea, and Thor threw his hammer at it. Then he punched the giant so hard he fell overboard, and waded back through the sea to the far-away shore.





The Ben Vair Dragon.
Ben Vair Dragon:
In Argylllshire, Scotland - The hero of this story was a sea captain, Charles the Skipper. He came up with a trap to rid the area of a dragon that was the bane of all. He anchored his ship a little way offshore, and built a bridge from the vessel to the beach.

The bridge was made of barrels lashed together and studded with metal spikes. The sea captain began to roast some meat on his ship. The smell wafted to the dragon’s lair and it came swooping down to the beach. As it began to crawl across the bridge of barrels, the spikes pierced its hide and one struck the dragon’s vulnerable spot. The massive beast expired on the bridge long before it got to the ship.



INDIAN NAGAS AND DRACONIC PROTOTYPES
AT A very early period northern India acquired a mixed population composed of Conquerors and more peaceful immigrants from the west and north, which became amalgamated with whatever remained in the previous inhabitants; and an antique form of Sanscrit spoken by the invaders became the general language. They appear, as far back as they can be traced, to have been an agricultural and cattle-breeding people, using horses, settled mainly in towns and villages, and considerably advanced towards civilization. Their religious ideas, at least within the millennium next preceding the beginning of the Christian era, as we learn from the Vedas, were expressed in a mythology of nature-gods related to the sun and sky and, especially to the weather as affecting grass and crops, with which was mixed a very ancient and fetishistic serpent-worship. In short these ancestral Hindoos much resembled in ideas the people of Elam and Chaldea with whom they were already in communication, but far exceeded them in their reverence of serpents--naturally, perhaps, as these are more numerous and dangerous in India than in Mesopotamia.
Their particular object in serpent-veneration was the deadly cobra, called naga; and every one of these hooded reptiles was regarded as the living incarnation or representative of a great and fearful company of mythological nagas. These were demi-gods in various serpentine forms, uncertain of temper and fearful in possibilities of harm, whose 'kings' lived in luxury in magnificent palaces in the depths of the sea or at the bottom of inland lakes. They were also said to inhabit an underworld (Patala Land), and were believed to control the clouds, produce thunderstorms, guard treasures, and do weird and marvellous things in general. Many feats were attributed to them which could be performed only by beings having human powers and faculties, whence they were said to assume human form from time to time; and stories are told in the writings of 'naga-people' appearing mysteriously and then escaping to the depths of the ocean--probably developed from incidents in which wild strangers had raided the coast and when discovered had fled over the horizon in their boats. The ruder tribes, which were most addicted to cobra-worship, and were despised by the Brahmanic class, were known as Naga men or simply Nagas. This cult persists in remote districts to this day, and is especially vigorous in the rough country of northern Burma and Siam, where temples of snake-worship are yet maintained. Doubtless it formerly prevailed beyond India all over the Malay Peninsula and among the unknown aborigines of China.
It must be remembered in connection with these facts that the semi-civilized inhabitants of the Northwest were largely a maritime people. Living along the great Indus River they early took to the sea and became daring navigators, voyaging far eastward on both plundering and trading expeditions. The civilization of both Burma and Indochina, according to Oldham's investigations, is shown by history as well as legend to be owing to invaders from India, who introduced there not only ideas of a settled life and trade, but taught the notions of naga-worship, and later Buddhistic doctrines and practices throughout southern China, Java, Sumatra and Celebes. Buddha himself refers to such voyages, in which no doubt religious missionaries sometimes participated.
Mingled with this was direct reaching from Babylon and Egypt, as has already been mentioned. "Within twenty years of the introduction of the Phoenician navy into the Persian Gulf by Sennacherib traders from the Red Sea arrived in the gulf of Kiao-Chau, and soon established colonies there." This was in the middle of the sixth century B.C. "They came on ships bearing bird or animal heads and two big eyes on the bow, and two large steering-oars at the stern--distinctly Egyptian methods of ship-building."
Into the Vedic civilization of northern India, was introduced, about the seventh century B.C., the more spiritual and unselfish cult of Buddhism. Its most difficult problem was the overcoming of cobra-worship, and as this proved impossible, the Buddhists were compelled to be content with trying to improve the worst features of ophiolatry among the Naga tribes; but this conciliatory attitude seems to have led to a weakening and corruption of the gospel preached by Buddha and his first apostles. Legends, though conflicting, indicate this. It is related, for example, that a naga king foretold the attainment of Gautama to Buddhahood; and the cobra-king who lived in Lake Mucilinda sheltered Lord Buddha for seven days from wind and rain by his coils and spreading hoods, as is represented in many antique pictures and sculptures. At any rate a schism developed over this matter, resulting in the southern Buddhists teaching less strict doctrine with reference to the old beliefs, which became known as the Manhayana school.
The nagas' ability to raise clouds and thunder when out of temper was cleverly absorbed by this school into the highly beneficent power of giving rain to thirsty earth, and so these dreadful beings became by the influence of Buddha's 'Law' blessers of men. "In this garb," as Dr. Visser' points out, they were readily identified with the Chinese dragons, which were also beneficent rain-gods of water"; and it was this modified, semi-Hindoo, Manhayana conception of Buddhism, with its tolerance of serpent-divinity, which was carried by wandering missionaries and traders during the later Han period into China and eastward.
Visser ascertained, in his profound examination of this serpent-cult, that in later Indian, that is Greco-Buddhist, art, the nagas appear as real dragons, although with the upper part of the body human. "So we see them on a relief from Gandahara, worshipping the Buddha's alms-bowl in the shape of big water-dragons, scaled and winged, with two horse-legs, the upper part of the body human." They may be found represented even as men or women with snakes coming out of their necks and rising over their heads, which recalls the prime fiends of Persian legend, and also the prehistoric pictures of the more or less mythical Chinese sage Fu Hsi.
The four classes into which the Indian Manhayanists divided their nagas were (quoting Visser):
Heavenly Nagas--who uphold and guard the heavenly palace.
Divine Nagas--who cause clouds to rise and rain to fall.
Earthly Nagas--who clear out and drain off rivers, opening outlets.
Hidden Nagas--guardians of treasures.
This corresponds closely with Professor Cyrus Adler's list (Report U. S. National Museum, 1888), of the four kinds of Chinese dragons: "The early cosmogonists enlarged on the imaginary data of previous writers and averred that there were distinct kinds of dragons proper--the t'ien-lung or celestial dragon, which guards the mansions of the gods and supports them so that they do not fall; the shen-lung or spiritual dragon, which causes the winds to blow and produces rain for the benefit of mankind; the ti-lung or dragon of the earth, which marks out the courses of rivers and streams; and the fu-ts'ang-lung or dragon of hidden treasures, which watches over the wealth concealed from mortals. Modern superstition has further originated the idea of four dragon kings, each bearing rule over one of the four seas which form the borders of the habitable earth."
In a Tibetan picture referred to by Visser nagas are depicted in three forms: Common snakes guarding jewels; human beings with four snakes in their necks; and winged sea-dragons, the upper part of the body human, but with a horned, ox-like head, the lower part of the body that of a coiling dragon. This shows how a queer mixture of Chaldean, Persian and Hindoostanee elements reached Tibet by very ancient caravan roads north of the Himalayan ranges; and it throws light on one possible origin of the four-legged figure adopted by the Chinese, especially in the northern marches of the empire where the inhabitants were open to Bactrian, Scythian, and other western influences.
That composite animal-form of the rain-god of the Euphrates people, the horned sea-goat of Marduk (immortalized as the Capricornus of our Zodiac), was also the vehicle of Varuna in India, whose relationship to Indra was in some respects analogous to that of Ea to Marduk in Babylonia. In his account of Sanchi and its ruins General Maisey, as quoted by Smith, states that: "As to the fish-incarnation of Vishnu and Sakya Buddha, and as to the makara, dragon or fish-lion, another form of which was the naga of the waters, the use of the symbol by both Brahmans and Buddhists, and their common use of the sacred barge, are proofs of the connection between both forms of religion and the far older myths of Egypt and Assyria." Havell is of the opinion that the crocodile-dragon which appears in the figure of Siva dancing in the great temple of Tanjore, may have been older than the eleventh century when the temple was built. "In the earlier Indian rendering of this sun-symbolism, as seen in the Buddhist 'horse-shoe' arches," says Havell, "the crocodile-dragon, the demon of darkness, who swallows the sun at night and releases it in the morning, is not combined with these sun-windows until after the development of the Manhayana school."
Sun-worship, serpent-worship, phallicism, and dragons are inextricably interwoven in Oriental mythology.
It is in the Indian makara, I think, that we have the 'link' between the Western conception and that of the Chinese as to the shape of this fabulous water-spirit. Yet, all the makaras of Vedic myth are simply a crocodile in simple form, or else are variants of Marduk's sea-goat with two front feet only, varied according to the head and body into antelopes (blackbuck), cats, elephants, etc., all carrying fish-tails. The Chinese dragon, on the other hand, has nothing of the fish about it, but is wholly serpent, except its horned and fantastic head and the fact that it invariably possessed (crocodile-like) four legs and feet which are quite as like those of a bird as like those of a lion. There is evidently some significance in the bird-like feet. Can they be a relic of the introduction ages ago of the Babylonian or Elamite figure of the rain-god, composed by joining the symbols of Hathor-Sekhet and Horus? That is to say, do they possibly represent the long-forgotten falcon of the bright son of Osiris?
"In Chinese Buddhism," Dr. Anderson informs us in his celebrated Catalogue, "the dragon plays an important part either as a fierce auxiliary to the Law or as a malevolent creature to be converted or quelled. Its usual character, however, is that of a guardian of the faith under the direction of Buddha, Bodhisattvas, or Arhats. As a dragon king it officiates at the baptism of the Sakyamuni, or bewails his entrance into Nirvana; as an attribute of saintly or divine personages it appears at the feet of the Arhat Panthaka, emerging from the sea to salute the goddess Kuanyin, or as an attendant upon or alternative form of Sarasvati, the Japanese Benten; as an enemy of mankind it meets its Perseus and Saint George in the Chinese monarch Kao Tsu (of the Han dynasty) and the Shinto god Susano'no Mikoto. When this religion made its way into China, where the hooded snake was unknown, the emblems shown in the Indian pictures and graven images lost their force of suggestion, and hence became replaced by a mythical but more familiar emblem of power."
It was mainly--but not altogether, as we shall see--from Indian sources that the now familiar four-footed dragon of China became conventialized through its applications in the several arts of decoration and devotion; and it seems a fair inference that the aggressive Buddhist influence of the early centuries of that sect led Chinese artists to change the smooth, well-proportioned ch'ih-lung of their forefathers, chin-bearded like the ancient sages, into a sort of jungle python with the horrifying head and face characteristic of the countenances of antique Buddhistic images of their demons. To understand how inhumanly terrible these caricatures of malignant beings in the guise of humanity may be, one need only glance at drawings of the temple images exhumed by Sir Aurel Stern from the sand-buried Indo-Chinese cities of Turkestan, which flourished about the time of which I am speaking.
Buddhist artists, at first probably aliens, would be likely to depict the dragon head and face in their attempts to portray the chief 'demon', as they mistakenly regarded the friendly Chinese divinity, after the same horrifying fashion. Then, to impress the people of the North, who saw few dangerous snakes, but who did know and fear tigers and leopards, the artists equipped their frightful-headed serpent with catlike legs, bird's feet, such tufts of hair as decorate and would suggest a lion, and a novel ridge of iguana-like spines along its backbone.
The fully realized dragon, then, as we see it in bronzes or sprawled across a silken screen, is an invention of decorative artists striving, during the last 2000 years, to embody a traditional but essentially foreign idea.

Πέμπτη 11 Ιουλίου 2013

Dragons : 50 Classified Dragons PART1

The Yilbegan Siberia
classified dragons pic
Yilbegan is nearly related to the Turkish and Slavic dragons from Europe than the particular Eastern Asia. In the mythology of two ethnic groups living in Siberia the Turkic peoples and the Siberian Tatars, this serpentine dragon is characterized as a polycephalous monster. In few legends, the Yilbegan’s appearance is a winged dragon or serpentine creature however in some people he is a giant who torture an ox with 99 horns.



The Níðhöggr Scandinavia
classified dragon pic
One of a kind dragon that lives within Norse legend is the Níðhöggr. In a giant ash tree which is the Yggdrasil, it is where the Níðhöggr lives. Níðhöggr is commonly adapted as meaning Malice Striker or Striker in the Dark and lives up to his name as he brutally eat at the root of the giant tree that maintained him captured above Hvergelmir, a rage cauldron, in Hel Nordic Hel is alike to the English Hell. It heralds the arrival of Ragnarök and the subsequent destruction of the world if Níðhöggr chews his way through the root of the giant tree.




The Bakunawa The Republic of the Philippines
classified dragon pic
Filipino mythology conceded that Bakunawa is absolutely a goddess that was described as a clever dragon. The Filipino believed that Bakunawa lived in the sea at the time during the world had seven moons also that the dragons being attracted by their light would step up out of the sky into the sky and devour the moons. In this manner, dragons were the origin of eclipse. The people will go out of their homes, with their pots and pans to make the most noise they could, in order to scare the Bakunawa so that the Bakunawa will stop eating the moons and to prevent the world from becoming dark and give them the moonlight back. So amazing! Bakunawa , can be adapted as “moon eater” or “man eater” The latter being different of Asian dragons.



The Zmaj Republic of Slovenia
classified dragon pic
Comes from the Slavic country Slovenia and has a lot in typical with other Slavic dragons – three heads that may grow back if executed, green flaky skin and fire spitting capability, that is Zmaj dragon. This dragon is a masculine side of the word for snake, which is generally female. The Zmaj can also be named by a lot of older name of cloudy origin, Pozoj. Slovenic dragons and European dragons are the same, and they’re highlighted in Christian stories of St. George as well as pre-Christian stories in that they’re tricked into eating sulphur-consists of gifts and thus crushed. An extraordinary exception is the dragon of Ljubljana; it once guarded the capital city and is design on its coat of arms.